Yesterday afternoon I had the pleasure of seeing the University of Colorado at Boulder’s production of West Side Story: The Opera (written by composer Leonard Bernstein, lyrics by Stephen Sondheim, directed by William Gustafson and Nicholas Carthy). It was so much fun! I have to admit, this production took me by surprise, as it did not follow the more traditional operatic style of voice–we left feeling more like we’d just watched a musical for three hours, instead of an opera–but it was very enjoyable, nonetheless. Hey, different is good!
I do actually believe that this production is the first opera I’ve seen that wasn’t written originally as an opera–WSS was composed by Mr. Bernstein for Broadway in 1957. The “light opera” style was great, as the background to WSS is very animated and passionate and is based on Shakespeare’s timeless story of Romeo and Juliet. Mr. Bernstein brought current the often told themes of love, family, feuds and youthful passion with scenes of gang life in the streets of 1950’s New York. The story begins with a brawl between two local gangs: The Sharks (a Puerto Rican gang) and The Jets (a polish gang). Likened to Tybalt and Mercurio, the gang leaders, Bernardo and Riff, want nothing but respect and are so blinded by their rage and hatred for each other they are willing to murder to get it. Of course, a romance ensues between Maria (Bernardo’s sister) and Tony (Riff’s right-hand man and most-trusted friend). Their love is forbidden from the beginning, but it only serves to fuel their passion. Ultimately, each must face a decision–loyalty to their families or to each other.
I was especially delighted to see and hear the performance of Katherine Miller (Maria), whose talented acting and girlish, soprano voice stole the show. In the last act, as she sang an extremely heavy lament over her murdered lover, I looked around and was unable to find a single dry eye near to me. Such regret and sorrow came through in her singing–such love and such remorse! Another delightful performance was that of Meg Marino (Anita) whose sultry alto voice and stern words made an ideal street-wise and protective companion for Maria. The well-balanced synergy between the two was intriguing to watch.
Between the acting and singing talent, the stage production (awesome lighting and props!) and the well-known musical score (“I Feel Pretty”, “Tonight”, and “One Hand, One Heart”, just to name a few…), WSS will go down in history as one of my favorites!
And, to make a fun evening even more fun, there was dinner at the Mountain Sun afterwards…
My Mountain Sun Take-Away Dragon
