Last night, I saw Central City Opera’s production of The Coronation of Poppea (written by Italian composer Claudio Monteverdi in 1642, directed by Ken Cazan). It was very good! This was my first visit to the House, and I was really pleased by the size and sound of the place. It’s small, and therefore intimate and fun. The company players were fantastic, as the production was presented more as a play than a standard opera. The acting (facial expressions, body language) was good, and the voices even better. The leading male voices (Amore, Nerone, Ottone) were written in the castrati style, and it was really interesting to hear. The political and social dynamics of power, usually associated with masculinity and deep, thunderous voices, are turned upside down by the high, feminine sound of the castrati voice. The irony goes deeper, even, when one considers that all the power of Rome was handed to one woman, Poppea, because of Nero’s unyielding lust for her. It is very clear that Love (Amore) is ruler of the day. Ultimately, to make room for Poppea as his new bride, Nero exiles his wife, Octavia (Ottavia), who in an especially powerful scene sings farewell to her family, her friends, and her country. “A-A-A-Addio…” she laments from a broken and defeated heart.
During opera notes before the show, I learned that this opera is one of the earliest written in the Italian Baroque era, within about 50 years of opera’s first appearance in Italy. The orchestra (conducted by Nicholas Kraemer) featured period instruments, such as the lute and, of particular interest to me, the viola de gamba, or “viol of the leg”, which looks like the cello. The name “viol of the leg” was given to distinguish these instruments from the aesthetically similar, but distantly related, viola da braccia family, or “viol of the arm”, which we know today as the violin group of instruments (violin, viola, cello and double bass). The gamba instruments come in various sizes, just like members of the violin family, but are all played while being held upright and typically have six or seven strings.
Overall this performance experience was a delight (two thumbs up)! Cheers to Central City Opera for putting on a great show.